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Psyché (opera) : ウィキペディア英語版 | Psyché (opera)
''Psyché'' is an opera (''tragédie lyrique'') in a prologue and five acts composed by Jean-Baptiste Lully to a libretto by Thomas Corneille adapted from Molière's original play for which Lully had composed the intermèdes. Based on the love story of Cupid and Psyche, ''Psyché'' was premiered on April 19, 1678 by the Académie Royale de Musique at the Théâtre du Palais-Royal in Paris. ==Background==
According to the ''Mercure Galant'', the opera ''Psyché'' was composed in three weeks; libretto, score and all. Although it is impossible to verify the truth of this statement, there is every reason to believe that Lully was in a hurry when writing this opera. In effect, the opera reuses the ''intermèdes'' from Molière's play. Since these ''intermèdes'' had met with such spectacular success seven years earlier, Lully must have felt that given his lack of time, he could at the very least attract a crowd with the promise of reviving the ''plainte italienne'' and the final ''divertissement''. All that was required was a synthesis of Molière's play that could coherently string together the already-existing ''intermèdes''. Such a text would have to be one third the length of Molière's, that is to say 600 rather than 1800 lines long, and would have to be composed in varied rimes and rhythms rather than the alexandrines in riming couplets used in spoken declamation. Unfortunately, Lully's usual librettist, Philippe Quinault, was in disgrace at court over his previous opera ''Isis'' and the task fell to Thomas Corneille, very likely at the bidding of the same cabal that had sought to disgrace Quinault. Whether by choice or out of necessity, Corneille's text is not a synthesis of Molière's, but rather a profoundly different plot for a profoundly different genre. It is believed that Fontenelle, Thomas Corneille's nephew, collaborated on the text. It is impossible to know whether or not this is true or, if true, to what extent Fontenelle participated. All anecdotes speaking of ''Psyché'' state that Thomas Corneille is the author without mentioning Fontenelle. The latter, however, placed the libretto among his complete works, without the slightest mention of the participation of his uncle. Conversely, none of Thomas Corneille's three opera librettos appear in any of the editions of his works or theatre. It is now impossible to know if or how Fontenelle participated in the writing of ''Psyché'', but in view of all of the accounts of ''Psychés creation it seems improbable that he should be sole author of the work.
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